Photoblog: In the press Archive

Six Pages in Professional Imagemaker Magazine

Posted in In the press at 10:51 on 12/03/2018


It's always lovely to see my family photography work printed in a magazine and so I was thrilled to see my pictures of Poppy printed over six pages in Professional Imagemaker recently.

I've been photographing Poppy since she was a week old and over the years we've done many fantastic photo shoots. Some shoots have been at the family home, others out and about, exploring some of London's parks and the woodland near their home. Further still we ventured to Cornwall for a few summer beach sessions and I discovered that I like speedboats a lot more when I'm distracted by taking pictures (I can get seasick on the pedalos in Hyde Park!).

It's been such a pleasure watching this facinating, confident, beautiful girl grow up and each year I look forward to seeing the family again and catching up on the news. Poppy's younger brother Edward is also one of my favourite subjects to photograph and one of my most recent pictures of him was my favourite shot of 2017.

The accompanying article went alongside my talk at the SWPP back in January, 'Finding your Style in Family Photography' and looked at the importance of following your own path with your photography.

I've always been keen to work in black and white because I know from my own experience that these pictures look as good in thirty years' time as they do today. My pictures of my own childhood hang proudly on my wall and sit happily next to pictures I take of my nieces and nephews today. Timeless images are what it is about for me, pictures that are for the children as well as of the children.

As you can see in this article, by shooting in one style, and not flitting around with fads and fashions, all the pictures we have taken look fantastic when presented together and will, I am sure, look fantastic alongside all the images we are yet to take as Poppy and her brother grow up into the wonderful adults I know they will become.

Here are a few shots of the magazine itself, I hope you enjoy them.





Baby London Article on Family Photography

Posted in In the press at 07:08 on 05/04/2017


It’s always lovely to be asked to contribute to a magazine article and I was thrilled when Baby London got in touch to ask me to provide them with a picture for a piece on children’s photography. It was even more exciting to see that they chose my image for the opening shot.

Over the years my work has been published in numerous books and magazines as far afield as the United States and China but I never tire of seeing my pictures in print. It’s lovely that magazines really value photography and want to share the different options provided by the top London photographers with their readers. I love that so much prominence is given to black and white family photography as the premier medium for children’s portraits. Black and White has such resonance in family photographs and really stands the test of time.

The image that Baby London has chosen for the opening shot of their article is a case in point, an image that is truly spectacular in Black and White, focusing on the eyelashes of this tiny baby - a beautiful detail that could get lost in a colour image. It has such an emotional pull and I think that is the beauty of black and white; you focus on the content of the image rather than the colour, the expressions rather than the clothes. I hope you like this picture as much as Baby London did; I’m so pleased they placed black and white baby photography at the heart of their article on the best family photographers in London.

Article on Helen Bartlett Photography in Cliick Magazine

Posted in In the press at 16:15 on 30/10/2016



It’s always lovely to see my work in print and so I was thrilled when the fantastic American photography magazine Cliick got in touch to ask if I could write an article about my love for Black and White photography and how and why I chose to set up a business that specialized entirely in monochrome family portraiture.

It’s a subject that is close to my heart, I’ve always loved black and white photography and my dad’s influence shines through my work. Thinking back to those days as a child working in the darkroom with my dad, printing my pictures will always make me smile. I love the timeless nature of black and white, how it transcends fads and fashions to concentrate on the essence of the subject, it’s perfect for portraiture.

I also love to share my work and teach other photographers, to help those who are finding their way and deciding on the personal beliefs and visual choices that will allow them to develop their own photographic voices within their own businesses. It’s so important to find your own vision, to know where it comes from and where you want it to go.

I really enjoyed writing about my use of Black and White photography for my family portrait business in this magazine article. Do keep an eye out for the magazine if you are interested in reading it in full, it’s a lovely publication, definitely worth a read.

Canon 1D X Mark II Review

Posted in In the press at 07:57 on 29/04/2016


Last week I was incredibly lucky to be given the opportunity to test the beta version of Canon’s new flagship camera, the 1D X Mark II. As one of only a handful of photographers worldwide who have been able to have a play with this pre-production version, this has been incredibly exciting for me and I’m thrilled to be sharing some thoughts on the new camera with you today.

The Canon 1D X Mark II is stunning for portraits



I’ve been shooting with 1-series cameras since the Canon 1D Mark III, so I’m already a convert to the system. I find that the build quality of the 1-series body is fantastic for location children’s portraiture as my camera does get bashed around a fair bit, and even working in London there’s a remarkable amount of sand, bubble liquid, mud and general goo that it ends up regularly covered with. The 1D X Mark II is fantastic in this regard with the fabulous weather sealing and solidity that we have come to expect from the 1-series cameras. You can knock a tent peg in with one of these!

When asked what I look for in a camera, and what would tempt me to upgrade from my current system (two 1D X bodies and numerous lenses, although usually I shoot with a 35mm 1.4L, a 50mm 1.2L and an 85mm 1.2L) then the answer is always high ISO capability and fast & accurate autofocus. My work is all done on location, in my client's home or out and about in parks, woods and beaches. Children move around fast and are completely unpredictable, and working in clients’ homes means that the light can often be very limited. I’m thrilled that the new Canon 1D X Mark II builds upon both these key features.




Great expressions are fleeting, and to catch a magical moment you need almost magical autofocus. Children don’t stand still for a second. I shoot fairly wide open most of the time - in the region between f1.8 and f3.5 as a general rule - so the margin for error is small. I have been impressed with the 1D X Mark II’s handling in these situations. It’s very unusual for me to shoot at f1.2 - I find kids move too quickly and I miss focus, but I did give it a try and was pleasantly surprised. I imagine that if I had my lenses calibrated to the camera, the results would be even better.

I was impressed with the focusing at f1.2


I have always felt that one of the best tests for autofocus for my work is children jumping on a bed, and it’s a situation I find myself in frequently. The children are completely unpredictable when they’re bouncing, and are moving fast both up and down, from side to side and forwards and backwards. Similar to jumping on a trampoline of course, but there’s usually much more light outside. The 1D X Mark II performed very well on the ‘bed test’ and the girls loved being given an excuse to go wild, starting by jumping up and down on the bed and then burrowing into the duvet for more games. I was very impressed by the way the camera performed in this situation with high ISO’s and erratic subjects. I would not have got these shots at ISO 6400 on the 1D X. I didn’t have a C-Fast card to use, but even with my older CF cards then the burst mode seems to go on forever - even at 14 frames per second, which is fantastic for fast moving children.

shooting at ISO 6400 the 1D X Mark II did a brilliant job with fast moving children jumping on the bed



The camera’s high ISO capabilities are wonderful. I was told that ISO 6400 is the new sweet spot, and I would happily shoot at that setting all day. My clients tend to buy large framed prints and albums, so I need to know that any picture I provide will look good printed at 24” x 12” and viewed in detail. From what I’ve seen of the 1D X Mark II’s files, I’ll easily be able to do that at ISO 6400, and probably even higher settings.

I didn’t try the camera at it’s very highest settings, but ISO 16000 is very useable and I’d happily make double-page album spreads from images shot at this setting if I nailed the exposure in camera. It’s also worth noting for anyone who does a lot of retouching (and as a children’s portrait photographer I spend a lot of time dealing with my subjects’ runny noses) that it’s fine retouching at this setting too. Previously I have found that the really high ISO’s can make retouching difficult.

The two images below are shot at ISO 16000



If an exposure gets away from you, as I admit they sometimes do for me in the fast moving world of family photography, then you will be thrilled to hear that the camera keeps loads of detail in the highlights and you can rescue a lot of highlight detail in RAW - fantastic for those of us who tend to backlight our subjects and who often can’t be in control of where exactly the action is taking place. I can see this being a godsend on this summer’s sunny beach shoots.

Keeping the detail in the hair when exposing for the face can be tricky and the ability to pull back detail in the highlights is remarkable



In terms of handling. the 1D X Mark II is a dream. Yes, it’s heavy but I’m used to that and it feels very comfortable in my small hands. All the buttons are in the same place as they were on the 1D X, meaning that moving from the 1D X to the Mark II feels very natural. I’ve never been technical and I find moving between systems difficult, but this time it was just a case of adjusting my custom functions to the way that I work - such as switching the location of the back button focus button - and I was ready to go. The 1D X Mark II has one really great new control though, which is the joystick for moving focus points around has been duplicated so you can use that feature when shooting in vertical mode. This is fantastic and something that I will use a lot, because it will make shooting vertically much more intuitive.

Unexpected moments happen all the time when shooting on location - this friendly dog decided he really wanted to play with Will’s stick and I had to change all my settings quickly to get the shot. Consistency of handling between the 1D X and the 1D X Mark II is a real plus for me.




Another move forward is silent mode, which was rather inaccurately named on the 1D X. With the Mark II it’s still not entirely silent (unlike one of the mirrorless cameras) but it is quieter and I will find this useful as I photograph a lot of newborns.

I have to confess that I didn’t really try the video function, but from what I have seen it looks great and I’m sure someone much more qualified in that area will be writing about that elsewhere.

All in all it’s just the camera I expected: a workhorse that does what it needs to do brilliantly, improving on everything that was already great about the 1D X. If I could change anything it would be the price, because it’s expensive when you buy a pair, but I know I am paying for quality and that it will enable me to take photographs that would not be possible otherwise. That makes it worth it for me, and I can’t wait for my new cameras to arrive.

Indoors and outdoors, this is a fabulous camera for the fast moving, and often hilarious, world of family portrait photography




It’s been a real privilege to be able to test this pre-production Canon 1D X Mark II. If you do have any questions about shooting family portraits with the 1D X Mark II or any other things you feel I haven’t covered here then do leave a comment and I’ll do my very best to answer.









Helen Bartlett Photography Interview on Canon Europe

Posted in In the press at 15:00 on 29/01/2016

It's been an exciting start to the year with a lot of fantastic things going on here at Helen Bartlett Photography, not least my continued involvement with Canon. I'm thrilled to share a link today with a recent interview that I did about how I got started in photography.

It seems so long ago but it's only thirteen years since I bought my first digital camera (a Canon 10D) and set up my business. I find it fun to look back over all the lessons I have learnt - both photographically and from a business point of view and it's lovely to be able to share a few tips for the next generation of photographers.

I feel so lucky to make my living taking photographs, and I hope that I can inspire others in this challenging but rewarding career.

To read the article

It's also on all the Canon European blogs - how cool is that? I have people reading about me in Germany, Italy, Switzerland, Croatia, France and many more countries. At this rate 2016 is going to be the best year ever!